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May 21, 2019
Canada
Dalet Expands Partnership with Maple Leaf Sports & Entertainment to Enhance the Fan Experience
Dalet Galaxy boosts omnichannel fan engagement for Toronto Maple Leafs, Toronto Raptors, Toronto FC and Toronto Argonauts

Advanced Sports Production & Distribution

Serving as the core media infrastructure for Scotiabank Arena, the Dalet Galaxy platform facilitates all team content logging, transcoding, fast assembly and multiplatform distribution at the venue.

Dalet, a leading provider of solutions and services for media organizations and content professionals, today announced that Maple Leafs Sports & Entertainment (MLSE) has expanded its Dalet installation to improve overall fan engagement and experience as well as tap into new markets that ultimately increase revenue. The state-of-the-art Dalet solution features advanced sports production and distribution for MLSE’s four professional sports teams:  Toronto Maple Leafs (NHL), Toronto Raptors (NBA), Toronto FC (MLS) and Toronto Argonauts (CFL). 


“Professional sports have always been a ‘now’ focused-type of entertainment and the digital era has brought in a whole new world when it comes to fan engagement,” comments Shannon Hosford, Chief Marketing Officer at MLSE.  “Our number one goal is to provide a unique media experience and deepen fan engagement before, during and after the game. Dalet allows us to focus on telling the timely stories that matter to fans right now - whether it’s creating snackable content from interviews, a look into the lives of players, or deconstructing a spectacular play moments after it happens. It also gives us the ability to reuse that content for a related story in the future; connecting the history of the organization to that ‘now’ moment, which deepens the passion our fans have for their favorite team.”
 

MLSE captures an enormous amount of content from games, practices, media scrums and interviews, and carefully curates that content for delivery to an omnichannel experience their fans have come to expect. Leveraging Dalet Galaxy, MLSE effectively wrangles content with a detailed metadata scheme that makes it accessible and useable in the moment and in the future
 

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By unifying content ingest, production and distribution into a cohesive ecosystem, Dalet Galaxy enables operations to have greater agility to share content across divisions, bureaus and remote locations, driving the interconnected storytelling they require across the brand.


“Content is becoming increasingly more strategic for sports networks, leagues, teams, venues, and brands to better engage and retain their fans, whether it’s direct or through a network of providers,” states Frederic Roux, Vice President of Sales, Dalet. “To be competitive, you need a supply chain such as Dalet Galaxy that can manage the rich content inventory as it grows, effectively utilize it, and quickly tap into new opportunities when they arise. With its agile orchestration and publishing workflow, Dalet Galaxy manages content lifecycle with the built-in flexibility required to make those critical ‘in the moment’ adjustments that keep fans dialed in at all stages of the game experience.” 


About the Dalet Workflow at MLSE


Serving as the core media infrastructure for Scotiabank Arena, the Dalet Galaxy platform facilitates all team content logging, transcoding, fast assembly and multiplatform distribution at the venue. The expansion builds on the successful Dalet archive project implemented in 2012 and connects the entire production and distribution workflow, including the group's post-production activities via Dalet Xtend for Adobe® Premiere Pro® CC.
 

Shannon Hosford, Chief Marketing Officer at MLSE

Rebecca Waters, Manager - Media Asset Management at MLSE
 

For more information on the Dalet Galaxy workflow at MLSE, please watch the video case study.


About MLSE


Maple Leaf Sports and Entertainment (MLSE), one of the world’s premier sports and entertainment companies, owns the Toronto Maple Leafs (NHL), Toronto Raptors (NBA), Toronto FC (MLS), Toronto Argonauts (CFL), Toronto Marlies (AHL), Raptors 905 (NBA G League), TFC II (USL) and Raptors Uprising Gaming Club (NBA 2K League). MLSE also owns MLSE Foundation and MLSE LaunchPad, its charitable arms, and MLSE Live, its live entertainment brand. It owns and operates Scotiabank Arena, Maple Leaf Square, two digital channels – Leafs Nation Network and NBA TV Canada and has a partnership with Live Nation - the biggest concert promoter in the world. MLSE has also invested in and operates five of Toronto’s sports facilities - BMO Field, Coca-Cola Coliseum, Mastercard Centre for Hockey Excellence, OVO Athletic Centre and BMO Training Grounds at Downsview Park.
 


About Dalet Digital Media Systems


Dalet solutions and services enable media organisations to create, manage and distribute content faster and more efficiently, fully maximising the value of assets. Based on an agile foundation, Dalet offers rich collaborative tools empowering end-to-end workflows for news, sports, program preparation, post-production, archives and enterprise content management, radio, education, governments and institutions.
 
Dalet platforms are scalable and modular. They offer targeted applications with key capabilities to address critical functions of small to large media operations - such as planning, workflow orchestration, ingest, cataloguing, editing, chat & notifications, transcoding, play out automation, multi-platform distribution and analytics.
 
Dalet solutions and services are used around the world at hundreds of content producers and distributors, including public broadcasters (BBC, CBC, France TV, RAI, RFI, Russia Today, RT Malaysia, SBS Australia, VOA), commercial networks and operators (Canal+, FOX, MBC Dubai, Mediacorp, Mediaset, Orange, Charter Spectrum, Warner Bros, Sirius XM Radio) and government organisations (UK Parliament, NATO, United Nations, Veterans Affairs, NASA).
 
Dalet is traded on the NYSE-EURONEXT stock exchange (Eurolist C): ISIN: FR0011026749, Bloomberg DLT:FP, Reuters: DALE.PA.
 
Dalet® is a registered trademark of Dalet Digital Media Systems. All other products and trademarks mentioned herein belong to their respective owners.
 
For more information on Dalet, visit https://www.dalet.com.
 

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Welcome to the OTT video content streaming revolution!
This article was first published on the SMPTE website by Michael Goldman, Board Member at SMPTE. This is based on an interview of Lincoln Spiteri, VP of Engineering, Ooyala at Dalet. In the opinion of Lincoln Spiteri, VP of Engineering at Dalet, a major manufacturer of media workflow technology solutions, the OTT video content streaming revolution is currently in a vibrant, but dichotomous place. On the one hand, many technological, logistical, and standardization aspects of securely delivering scaled content over the internet to consumer devices or businesses are now stable and are burgeoning at this point, so that more creators and distributors than ever can efficiently push their programming to the public. The current growing global dependence on streaming news, sports, entertainment content, meetings and personal interactions during the ongoing worldwide emergency, for example, illustrates how “established” OTT streaming has become. Disruptive forces and the new possible On the other hand, significant “disruptive forces,” as he puts it, have evolved what are possible, needed, expected, and desired out of the video-streaming paradigm. This means, in essence, that no sooner have established methodologies proliferated than new questions and answers start hurtling down the chute that can change some of those methodologies over time. “The delivery side has settled overall,” Spiteri says. “We have the means to deliver high bandwidth, so the adaptive streaming side is there. Edge providers like Akamai and AWS Cloudfront, among others, and also cloud services being offered by the likes of Amazon, Google, and Microsoft Azure are providing the ability to anyone who wishes to deliver content over the top via the internet to be able to do so. In terms of delivering generalized services, all the building blocks are now understood, and they are on the verge of becoming commoditized in many new ways. It’s a global phenomenon where people are consuming video on an incredibly large scale. “But if you think about the disruption that Netflix and others have brought about in terms of being able to monetize their platform on such a large scale, by providing incredibly high-quality video and, nowadays, producing content themselves, I think that also drove the adoption, because consumers ultimately tend to gravitate to quality. On one side, you have big content producers spending billions of dollars to create compelling, original content they can distribute [online]. But then, on the other hand, you have the ongoing phenomenon of YouTube, which probably offers the most video content on the Internet in terms of volume. And a lot of that is from small-time content makers—homegrown content. The need for those people to also be able to produce and distribute is an interesting development from a technological point of view. “So there is something to be said about knowing what happens upstream in terms of acquiring or producing content [for distribution on the Web]. But the question arises, how do you do that efficiently to meet all sorts of different criterion at different distribution points, when targeting all sorts of different devices and platforms?” Managing digital video assets more efficiently Spiteri says the answer lies in figuring out how to manage digital video assets more efficiently all along the chain. “You have to have a good grip on your assets and have good metadata describing those assets,” he adds. “You need a way to prepare assets for consumption on a wide variety of devices and media platforms. That allows you to go back into your archive, and basically monetize not just the new content you are making, but also your existing assets.” Thus, among other developments, manufacturers like the company Spiteri works for, Dalet, and others are pushing into the marketplace various “media logistics platforms,” which he calls “the orchestration piece of the streaming puzzle,” designed, he says, “to make it easier and less costly to manage, package, and distribute content.” After all, he says, we live in a world where content not only has to be streamed, but in fact, has to be captured, edited, packaged with robust production values intact, and distributed or re-distributed to a wide range of destinations, often in a matter of minutes. Some examples of such platforms come from companies like Dalet, SDVI Corp., and Ownzones, among others. “For news and sports especially, time is of the essence,” he says. “That’s what I mean about ‘orchestration.’ We have a sports client in the UK, and they are required as a virtue of their license to deliver clips from a game within, say, five minutes of the event happening. This could be a two-minute package that needs to be sent off to perhaps 100 licensees to use [as highlights]—the package will be placed on someone’s Web platform or their applications for mobile consumption. So these orchestration platforms are needed to drive those sorts of things—to capture, edit, and produce packages within minutes out of a live event, and then enable it to be distributed immediately in a format that is the right format for whomever is receiving that package. So the development of tools that can make streaming of such content fast, robust, reliable, and scalable is very important.” In other words, tools that can “bring in a high level of automation” on the front end are now helping to democratize the streaming revolution, Spiteri suggests. “The idea is we can marry the media asset management side with metadata and with orchestration so that you can bring in that high level of automation, be able to prepare packages and, at the same time, make sure they are being reviewed for compliance purposes and then be ultimately delivered to whomever is putting the material online,” he explains. Spiteri emphasizes that the content industry has invested heavily in recent years in not only managing and protecting data, but in ways of tracking their users viewing habits and interests. That’s why, he suggests, you will often see content streaming providers “behaving like digital agencies to a certain extent, readily experimenting with their user interfaces to see what is working and to understand what their customers are viewing. They have a sophisticated level of analytics for that sort of thing, gathering an amazing amount of data.” Related to all this, Spiteri feels it is inevitable that artificial intelligence tools will “naturally play a bigger part” in how this data on users is gathered and taken advantage of, as well as how content is packaged and streamed around the world going forward. He points to new initiatives from several companies trying to weave AI tools into the video streaming tapestry. These include his company, Dalet, Amazon, Azure, and Graymeta. Further, some industry players are taking advantage of open-source AI learning framework services such as Tensorflow, developed by Google, and Facebook’s Pytorch, among others. “The AI community is definitely growing at a fast rate, now that we can run things through the Cloud,” he says. “So I think we will see some interesting applications of AI coming, as a result, with innovations combining analytics coming from users and helping companies learn about usage patterns and things like that.” On the importance of cyber-security He particularly feels that the security issue for content distributors has also largely stabilized in terms of delivering material over encrypted channels, thanks to established digital rights management (DRM) standards and services, including Google Widevine, Microsoft Playready, Apple FairPlay, and Adobe Content Server, among others. Additionally, he points to an increasing trend across the industry whereby companies are joining forces to develop new and more stringent cyber-security protocols, such as the DPP initiative and the Trusted Partner Network. “All the major means of delivery allow you to deliver encrypted content—I think that is pretty much a done game,” Spiteri says. “Those things are very robust at this point. They are still evolving, but there is no magic sauce. They use the fabric of the Web itself—the core technologies are acting as part of a framework and infrastructure that allow us to deliver content at scale. And now, various CDN’s [content delivery networks] allow you to essentially geo-fence your content [using geographically distributed servers to transport files] so that it can’t be touched by anyone outside the region it is intended for. So we have all sorts of mechanisms for providers to understand who their users are, what their level of access should be, and they are all very mature at this point with well-established operators and practices.” Iterate and innovate Still, he expects the industry “to continue to iterate and innovate” in terms of user interfaces and other ways of simplifying the experience, with greater use of voice control technologies and more powerful, AI-powered content recommendation engines on the way, among other things. Spiteri says other interesting advancements coming down the chute include increased reliance for some providers on the notion of an API-first platform—what he calls “a headless OVP” for certain kinds of applications. “There are various companies, including one called Mux, that are built around the idea of having an easier way for the technology needed to deliver content to be more open with API-first delivery,” Spiteri relates. “I think we will see more of these in the near future. They are not necessarily there to build the best content management system, or to provide an end-to-end tool chain to let anyone who wants to build an OTT platform to do so, but they focus very specifically on a particular piece and make it as good as it can be.” He also emphasizes that the evolution of adaptive bit rate streaming standards such as MPEG-DASH, Apple’s HLS (HTTP Live Streaming), Microsoft Smooth Streaming, and others has “removed a lot of the fragmentation” in the video streaming world. By that, Spiteri means that, “it’s now fairly easy to be able to package your content and scale it up or down based on the conditions the stream is being delivered in.” Thus, Spiteri largely feels that the standardization issue in the streaming world is not an impediment anymore on a mixed-platform landscape. However, more generally, he also points out that what has really changed is the fact that, in this realm, “a significant part of the standards is carried by software now, not hardware. Devices can be upgraded over the air to fix certain issues or meet certain changes in a standard now. Therefore, the whole dynamic is changing. TV’s, phones, tablets are so powerful these days that the standards have to become agile. We can’t wait four or five years anymore for a new standard to be developed.” And related to that, he points out that the OTT side of things will, for the foreseeable future, remain linked to one degree or another to the OTA side of things due to the “bigger role that OTA still plays when it comes to live events—it’s typically more reliable for sporting events and so on. So OTA still has room to grow, as well.” As a consequence, the ATSC 3.0 next-generation terrestrial TV broadcast standard’s growth and evolution in the US is having an impact also in the streaming world, as discussed in Newswatch in 2019, because of the hybrid nature of the viewing landscape for the foreseeable future.     “Many companies are beginning to mix streaming content with live channels,” he says. “I’m sure several of the platforms are heading that way. In the UK, we have a service called TalkTalk, for example, which has created a pretty seamless mixture of over-the-air and over-the-top means of delivering content to the set-top box. Their software makes it pretty indistinguishable, whether you are receiving a channel over IP or a broadcast coming from your cable. “Ultimately, this is due to the set-top box technology, or the new Smart TV technology generally. With the processors they are putting into these things now, it gives them a lot of power and the ability to make the experience pretty seamless.” At the end of the day, Spiteri expects “more disruption from the content delivery side” over time. “They want more 8k content, but it is questionable whether there will be much 8k content in the next year or two,” he says. “But we can probably expect a lot more 4k content, more high dynamic range content, and that sort of thing. But we will also see a market disruption in terms of new players coming into the fore. In other words, there will be more disruption because the technology is now able to deliver the content more efficiently for more people to give it a try.”
Dalet and Bitmovin Join Forces to Power OTT Content Packaging and Delivery for the National Rugby League of Australia
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Deep integration through the Dalet and Bitmovin open APIs enables them to expand existing offerings into new markets and geographies at scale; engage fans through multiple services such as VOD, apps and subscriptions; and augment revenue opportunities thanks to better visibility across their production and distribution operations. “Dalet’s Ooyala Flex Media Platform, deeply integrated with Bitmovin’s encoding, player and analytics offerings, redefines the economics and the experience of OTT video distribution for brands like the National Rugby League,” states Stefan Lederer, CEO, Bitmovin. “Viewers will be delighted with higher quality and a more diverse range of content. Streaming costs are drastically lowered through better use of bandwidth. 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Ooyala Flex Media Platform’s powerful and efficient workflow and content management capabilities orchestrated the media catalogs’ encoding, media movement and content discovery to surface near-live video to their audiences. “When working with video content from varying sources that needs to be published online (live, near-live or on-demand content), every workflow, metadata layer and media processing step adds time and complexity getting content to the audience. By combining the Ooyala Flex Media Platform and the Bitmovin solutions we have been able to reduce complexity and issues, optimising inefficient steps while successfully accelerating our online delivery workflows,” comments Quanah McBride, Head of Digital Media Operations, The National Rugby League. Ooyala Flex Media Platform The Ooyala Flex Media Platform reinforces business continuity with a hybrid or poly-cloud based content supply chain. 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Hosted by Bitmovin’s Solutions Director, Adrian Britton, and featuring Patricio Cummins (Dalet General Manager, APAC) and Brett Chambers (Dalet Solutions Architect), the trio will highlight benefits and real world applications of the combined solution. To register, visit: https://connect.dalet.com/#join or https://go.bitmovin.com/apac-live-dalet-ott-workflows. You can find out more about Dalet and Bitmovin’s combined solutions here: https://www.dalet.com/partner/bitmovin. About Bitmovin Built for technical professionals in the OTT video market, Bitmovin’s software solutions help you optimize customer operations and reduce time-to-market, resulting in the best viewer experience imaginable. This is achieved through our device reach, flexible and scalable integration, and commitment to supporting our customers. Learn more at www.bitmovin.com. About Dalet Digital Media Systems Dalet solutions and services enable media organizations to create, manage and distribute content faster and more efficiently, fully maximizing the value of assets. Based on an agile foundation, Dalet offers rich collaborative tools empowering end-to-end workflows for news, sports, program preparation, post-production, archives and enterprise content management, radio, education, governments and institutions. Dalet platforms are scalable and modular. They offer targeted applications with key capabilities to address critical functions of small to large media operations - such as planning, workflow orchestration, ingest, cataloging, editing, chat &amp; notifications, transcoding, play out automation, multi-platform distribution and analytics. 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Dalet is traded on the NYSE-EURONEXT stock exchange (Eurolist C): ISIN: FR0011026749, Bloomberg DLT:FP, Reuters: DALE.PA. Dalet® is a registered trademark of Dalet Digital Media Systems. All other products and trademarks mentioned herein belong to their respective owners.
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RTV Slovenia Expands Partnership with Dalet to Transform End-to-End News Workflows for Radio and TV with Dalet Galaxy five
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Dalet Solutions Earn DPP 2020 Security Certification for Production and Broadcast
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About the DPP Committed to Security program The DPP launched the Committed to Security program in October 2017 to help technology providers advance, hone and demonstrate their commitment to security best-practices. Participants are assessed according to a rigorous set of controls specifically applied within the categories of Production, including policies and procedures, physical security, incident planning, recovery management, IT security, business continuity and other areas; and Broadcast, including documentation &amp; testing, authentication and controls. For more information go to https://www.dalet.com/platform and https://www.thedpp.com/security. About Dalet Digital Media Systems Dalet solutions and services enable media organizations to create, manage and distribute content faster and more efficiently, fully maximizing the value of assets. Based on an agile foundation, Dalet offers rich collaborative tools empowering end-to-end workflows for news, sports, program preparation, post-production, archives and enterprise content management, radio, education, governments and institutions. Dalet platforms are scalable and modular. They offer targeted applications with key capabilities to address critical functions of small to large media operations - such as planning, workflow orchestration, ingest, cataloging, editing, chat &amp; notifications, transcoding, play out automation, multi-platform distribution and analytics. The integration of the Ooyala Flex Media Platform business has opened vast opportunities for Dalet customers to deploy successful strategies that better address their audiences with agile multi-platform content distribution in a wider range of markets, such as sports for teams and leagues, brands and corporate organizations, as well as Media and Entertainment companies looking to scale up their digital offerings. Dalet solutions and services are used around the world at hundreds of content producers and distributors, including public broadcasters (BBC, CBC, France TV, RAI, TV2 Denmark, RFI, Russia Today, RT Malaysia, SBS Australia, VOA), commercial networks and operators (Canal+, FOX, MBC Dubai, Mediacorp, Fox Sports Australia, Turner Asia, Mediaset, Orange, Charter Spectrum, Warner Bros, Sirius XM Radio), sporting organizations (National Rugby League, FIVB, Bundesliga) and government organizations (UK Parliament, NATO, United Nations, Veterans Affairs, NASA). Dalet is traded on the NYSE-EURONEXT stock exchange (Eurolist C): ISIN: FR0011026749, Bloomberg DLT:FP, Reuters: DALE.PA. Dalet® is a registered trademark of Dalet Digital Media Systems. All other products and trademarks mentioned herein belong to their respective owners.
Dalet Strengthens Remote Creative Workflows with New Proxy Editing for Adobe Premiere Pro
Dalet, a leading provider of solutions and services for broadcasters and content professionals, has released the new version of its Dalet Xtend module, enabling remote proxy editing capabilities within Adobe® Premiere® Pro, an industry leader in video editing. Responding to feedback from Dalet customers, Dalet Xtend for Adobe Premiere Pro remote proxy editing capability now facilitates collaboration between distributed teams making it easier to work across locations and time zones. The new capability streamlines production workflows thanks to its “hub &amp; spoke” approach to collaborative editing. Leveraging proxy quality video, users and teams can continue editing from any location. “Support for remote editing and collaboration capabilities answers the needs of our news and multisite customers requiring in-the-field and site-to-site collaboration. As societies are forced to shift quickly into remote work situations, this capability becomes more critical for all of our customers,” states Kevin Savina, Director of Product Strategy, Dalet. “Over the last few years, we have reinforced our relationship with Adobe and continue to enhance existing integrations while developing new ones to address the most pressing needs of content creators today.” Dalet Xtend for Adobe Premiere Pro lets remote users edit quickly and efficiently, anytime, anywhere in low resolution, with the finished sequence automatically rendered in high resolution back at the production hub. This significant time and resource savings is especially helpful for fast-paced news workflows where journalists need to quickly edit stories on breaking news while it is happening. Additionally, a key highlight of this update is the ability for teams to edit and collaborate remotely; projects can be edited from beginning to end by users in different coasts. The significantly improved Dalet Xtend browser provides users with the same user experience to search and select content, whether they are working within Dalet Galaxy five or within the Adobe tools. Additional key features within the Dalet Xtend module include: Users can work with the same browser view they use in Dalet Galaxy five Users can change story status Users can trigger migration actions / workflows Live content and metadata updates for a selected category New Poster frame and thumbnails New Search/View/Edit MediaBin contents Configurable and resizable columns and views “The Adobe-Dalet integrations enable customers to collaborate across borders and time zones, faster and more efficiently,” states Sue Skidmore, head of partner relations for Adobe video. “Both companies believe in a customer feedback focused approach to feature enhancements, which results in exceptional user experiences that support the full creative capabilities of Adobe solutions.” As part of the continued partnership with Adobe, work is underway to add improvements to the Adobe Panel within the Ooyala Flex Media Platform. The panel allows Adobe Premiere Pro users to search for content managed by the Platform, as well as trigger workflows for publishing and syndication. New capabilities are being built into the panel following customer feedback. For more information go to https://www.dalet.com/modules/dalet-xtend and https://www.dalet.com/partner/adobe. About Dalet Digital Media Systems Dalet solutions and services enable media organizations to create, manage and distribute content faster and more efficiently, fully maximizing the value of assets. Based on an agile foundation, Dalet offers rich collaborative tools empowering end-to-end workflows for news, sports, program preparation, post-production, archives and enterprise content management, radio, education, governments and institutions. Dalet platforms are scalable and modular. They offer targeted applications with key capabilities to address critical functions of small to large media operations - such as planning, workflow orchestration, ingest, cataloging, editing, chat &amp; notifications, transcoding, play out automation, multi-platform distribution and analytics. The integration of the Ooyala Flex Media Platform business has opened vast opportunities for Dalet customers to deploy successful strategies that better address their audiences with agile multi-platform content distribution in a wider range of markets, such as sports for teams and leagues, brands and corporate organizations, as well as Media and Entertainment companies looking to scale up their digital offerings. Dalet solutions and services are used around the world at hundreds of content producers and distributors, including public broadcasters (BBC, CBC, France TV, RAI, TV2 Denmark, RFI, Russia Today, RT Malaysia, SBS Australia, VOA), commercial networks and operators (Canal+, FOX, MBC Dubai, Mediacorp, Fox Sports Australia, Turner Asia, Mediaset, Orange, Charter Spectrum, Warner Bros, Sirius XM Radio), sporting organizations (National Rugby League, FIVB, Bundesliga) and government organizations (UK Parliament, NATO, United Nations, Veterans Affairs, NASA). Dalet is traded on the NYSE-EURONEXT stock exchange (Eurolist C): ISIN: FR0011026749, Bloomberg DLT:FP, Reuters: DALE.PA. Dalet® is a registered trademark of Dalet Digital Media Systems. All other products and trademarks mentioned herein belong to their respective owners.
Ooyala Flex Media Platform Moves into Its Next Chapter With Dalet
Paris, France – March 3, 2020 – Dalet, a leading provider of solutions and services for broadcasters and content professionals, has made significant advancements with the development of the Ooyala Flex Media Platform. Acquired in July 2019, Dalet has accelerated engineering of the solution across four key areas: User Experience; Core Platform Performance and Features; APIs; and OTT workflows. The firepower brought by the Dalet acquisition has enabled a larger scale of development, increasing the Platform's capabilities to serve a wider range of organizations looking to take control of their video strategy, such as digital media teams, sports leagues and teams, as well as brands and media companies that are scaling up their digital offerings and going Direct-To-Consumer at an accelerated pace. “Stepping beyond the traditional broadcast space where Dalet has been a leader for years, the Ooyala Flex Media Platform is filling key media logistics requirements for companies like EnhanceTV, Arsenal Football Club and Migo in the Philippines - a startup that is looking to make OTT consumption of premium content affordable for developing countries,” comments Bea Alonso, Director of Product Marketing at Dalet. “With video as a core component of today’s business plans, these organizations require a content management platform that allows them to collaborate seamlessly, produce outstanding content fast, and take control of their media processing and distribution chain. The Ooyala Flex Media Platform is designed to streamline workflows, empowering companies to better monetize their content. It offers tremendous distribution versatility, allowing these companies to spin up campaigns and content offerings for social, digital and OTT quickly and efficiently.” Key development initiatives over the last six months include: Enhanced Support for OVP/OTT workflows The Ooyala Flex Media Platform extends its support for delivering content to a range of OVP providers, including the latest enhancements to the Brightcove Plug-in. “Our commitment to supporting OTT workflows is a top priority on the Dalet roadmap and is demonstrated in recent releases. Going forward, we will continue to expand on multi-platform distribution capabilities”, says Lincoln Spiteri, VP Engineering at Dalet. New OTT capabilities include support for MPEG-DASH and increased support for complex metadata hierarchies and taxonomies. Exceptional User Experience The latest OoyalaMAM, web interface, which has been designed with direct customer input, provides an exceptional user experience that enables fast adoption of tools and workflows. Rich new features include advanced asset search capabilities - including descriptive and temporal metadata, easy metadata curation, and tools to organize large asset collections. In addition, OoyalaMAM also provides media visualization aids in the form of audio waveform and audio level meters and a frame-accurate HTML5 video player, plus MP4, MPEG-DASH and HLS with audio switching and captions. Formidable, Scalable Framework Dalet R&amp;D has significantly advanced the scalability, operability and reliability of the Ooyala Flex Media Platform. The Platform has consolidated its poly-cloud credentials and is available for deployment in Amazon AWS, Google Cloud Platform, and Microsoft Azure. It also supports on-premise bare-metal deployments. Spiteri adds, “Running in the cloud is one thing, running well in the cloud is another. Since 2015, the Ooyala Flex Media Platform has taken a cloud-native approach towards its underlying architecture. The Platform is fully containerized, built as a collection of microservices that play well with modern DevOps practices.” An updated storage abstraction layer improves the placement of assets across storage solutions, enabling more efficient multi-site operations with options to move assets and workflows to the cloud via hybrid-cloud deployments. Open Platform Ready for Integration Designed to integrate with any system with an open API, the Ooyala Flex Media Platform can extend workflows through messaging plugins and custom scripts. Alternatively, its own REST API allows clients to build their own applications on top of the Platform. New API advancements allow customers to develop native plugins that can be deployed into the Platform’s runtime. The job execution framework (JEF) and related SDK are available to customers who wish to extend the platform beyond what is achievable via scripting. Monthly Release Cycle Moving forward, Dalet will employ a monthly release cadence that allows Ooyala Flex Media Platform’s customers to adopt new capabilities and evolve workflows faster than ever before. The rapid R&amp;D schedule will also ensure that the Platform and its numerous integrations remain secure and in compliance with strict industry standards, such as the DPP Committed to Security marks for Broadcast and Production. For more information on the Ooyala Flex Media Platform, please visit https://www.dalet.com/ooyala-flex-media-platform. Additionally, to learn more about how the Ooyala Flex Media Platform can address today’s media consumption demands with cloud-based content supply chains, see the blog post by Lincoln Spiteri here. About Dalet Digital Media Systems Dalet solutions and services enable media organizations to create, manage and distribute content faster and more efficiently, fully maximizing the value of assets. Based on an agile foundation, Dalet offers rich collaborative tools empowering end-to-end workflows for news, sports, program preparation, post-production, archives and enterprise content management, radio, education, governments and institutions. Dalet platforms are scalable and modular. They offer targeted applications with key capabilities to address critical functions of small to large media operations - such as planning, workflow orchestration, ingest, cataloging, editing, chat &amp; notifications, transcoding, play out automation, multi-platform distribution and analytics. The integration of the Ooyala Flex Media Platform business has opened vast opportunities for Dalet customers to deploy successful strategies that better address their audiences with agile multi-platform content distribution in a wider range of markets, such as sports for teams and leagues, brands and corporate organizations, as well as Media and Entertainment companies looking to scale up their digital offerings. Dalet solutions and services are used around the world at hundreds of content producers and distributors, including public broadcasters (BBC, CBC, France TV, RAI, TV2 Denmark, RFI, Russia Today, RT Malaysia, SBS Australia, VOA), commercial networks and operators (Canal+, FOX, MBC Dubai, Mediacorp, Fox Sports Australia, Turner Asia, Mediaset, Orange, Charter Spectrum, Warner Bros, Sirius XM Radio), sporting organizations (National Rugby League, FIVB, Bundesliga) and government organizations (UK Parliament, NATO, United Nations, Veterans Affairs, NASA). Dalet is traded on the NYSE-EURONEXT stock exchange (Eurolist C): ISIN: FR0011026749, Bloomberg DLT:FP, Reuters: DALE.PA. Dalet® is a registered trademark of Dalet Digital Media Systems. All other products and trademarks mentioned herein belong to their respective owners. For more information on Dalet, visit www.dalet.com. Press Contact Alex Molina Zazil Media Group (C) alex@zazilmediagroup.com (T) +1 (617) 834-9600
Mexican Media Giant TV Azteca Captivates Viewers Across Digital, Social and Terrestrial Channels with Dalet
Dalet, a leading provider of solutions and services for broadcasters and content professionals, today announced that TV Azteca, Mexico’s leading multimedia conglomerate, has deployed Dalet Galaxy five to reinvigorate the company’s content supply chain and deliver robust programming options faster to its audiences across all traditional, digital and social platforms. The highly popular media group offers a wide range of entertainment programming including, series, live musicals, thematic programs and sports. In addition to the diverse schedule, TV Azteca delivers news 18 hours per day through a network of local stations across the country. “The goal of TV Azteca’s ambitious transformation was to connect the digital content traffic for TV with the digital platforms and deliver to our audiences programming options that encompass the breadth and depth of our news reporting, and the entirety of our outstanding media catalog. Dalet Galaxy five gave us the technical capabilities to build this innovative media production ecosystem, with the workflow acceleration to engage with our audiences in real-time,” explains Pedro Carmona, CTO of TV Azteca. “The project execution was remarkable and the resulting impact immediate. The TV Azteca operation went from a manual process, where on average it took 10 minutes to get content on-air, to near-instant and often automated real-time delivery of content and programs. The benchmark for improved performance was undeniable and provided us the efficiency required to expand program options for our viewers.” Accelerating workflows by a factor of ten, TV Azteca implemented alongside Dalet Galaxy five highly mobile and collaborative production tools such as Dalet OneCut and Dalet WebSpace. The robust solution streamlines content production field to facility, enabling more than 50 journalists to more efficiently prepare stories anywhere in the world. Further fueling the fast-turn workflow are Dalet’s social media connectors which enable users to easily publish content to TV Azteca’s social channels. Seamlessly connected, the integration makes creating and publishing content for Facebook, Twitter and other channels fast and fluid. With several distinct media departments that previously operated in siloed production verticals, TV Azteca powered by Dalet Galaxy five is now fully connected, interweaving workflows from Programs, News, Sports, Archives and Marketing; ensuring content and program information is shared for maximum production and distribution efficiency. Iván Neri, CIO, TV Azteca explains the inefficiencies eliminated by Dalet’s modern workflow design, “We used to manually copy files over from one department to another and this took an enormous amount of time. Dalet Galaxy five automates the entire file migration from transcoding to metadata capture, which is so incredibly important for making content searchable across our archives. Before implementing the Dalet solution, we had duplicates and inconsistencies in content tagging that hindered collaboration and prevented us from maximizing our content’s value. Automating processes and streamlining the workflow allows us to better utilize the rich programming we have stored in our vaults to audiences everywhere in the world.” According to third party consultants hired by TV Azteca, the resulting Dalet-powered media infrastructure reduced production inefficiencies by up to 30% across the operations. “TV Azteca’s approach in designing its new media operations is lightyears ahead,” states Julien Decaix, General Manager Americas, Dalet. “More than overcoming the inefficiencies, they understood that audiences expected to engage with TV Azteca across all platforms and built a highly fluid media ecosystem that enables them to optimize all aspects of production. They now engage their viewers on a deeper level with better and more diverse content options.” For more information on Dalet Galaxy five and Dalet solutions, please visit www.dalet.com. About Dalet Digital Media Systems Dalet solutions and services enable media organizations to create, manage and distribute content faster and more efficiently, fully maximizing the value of assets. Based on an agile foundation, Dalet offers rich collaborative tools empowering end-to-end workflows for news, sports, program preparation, post-production, archives and enterprise content management, radio, education, governments and institutions. Dalet platforms are scalable and modular. They offer targeted applications with key capabilities to address critical functions of small to large media operations - such as planning, workflow orchestration, ingest, cataloging, editing, chat &amp; notifications, transcoding, play out automation, multi-platform distribution and analytics. The integration of the Ooyala Flex Media Platform business has opened vast opportunities for Dalet customers to deploy successful strategies that better address their audiences with agile multi-platform content distribution in a wider range of markets, such as sports for teams and leagues, brands and corporate organizations, as well as Media and Entertainment companies looking to scale up their digital offerings. Dalet solutions and services are used around the world at hundreds of content producers and distributors, including public broadcasters (BBC, CBC, France TV, RAI, TV2 Denmark, RFI, Russia Today, RT Malaysia, SBS Australia, VOA), commercial networks and operators (Canal+, FOX, MBC Dubai, Mediacorp, Fox Sports Australia, Turner Asia, Mediaset, Orange, Charter Spectrum, Warner Bros, Sirius XM Radio), sporting organizations (National Rugby League, FIVB, Bundesliga) and government organizations (UK Parliament, NATO, United Nations, Veterans Affairs, NASA). Dalet is traded on the NYSE-EURONEXT stock exchange (Eurolist C): ISIN: FR0011026749, Bloomberg DLT:FP, Reuters: DALE.PA. Dalet® is a registered trademark of Dalet Digital Media Systems. All other products and trademarks mentioned herein belong to their respective owners.
NBCUniversal promotes collaboration through tech in new Boston facility
With six studios and a 265-desk newsroom, the new NBCUniversal Boston Media Center is ready for content production and distribution, both via traditional linear television and streaming or podcasts. The facility, which officially opened its doors on Jan. 15, 2020, is located outside of Boston in Needham, Massachusetts. At 160,000 square feet, the building combines the operations of four properties that were previously in two separate locations, including WBTS, NBC 10 Boston; WNEU, Telemundo Nueva Inglaterra; cable news channel NECN; and NBC Sports Boston. Read more
Small steps for designers, giant leaps for users! How UX drives growth
With the advent of omnipresent technologies (think smartphones) in our daily lives, free/try apps have transformed the way we make products and the way consumers expect to be served up products that are intuitive and enjoyable. Just like consumers flocking from one social app to the other, a new generation of creative media professionals have adopted, from their personal digital lives, a “try and keep/throw” approach to media tools. i.e., "if I don't like it or can't get my work done, I'll look for another one." As software vendors, we must embrace this change to enrich our user community's experience in their daily work, with minimal distractions from the application, i.e., focus on the craft, not the tools. We have also seen a shift towards putting the emphasis on product design from users' feedback versus historically "Technical experts/Engineer," where the focus was on the technical capabilities of the solution with less importance on usability, complexity, intuitiveness for the persons actually doing the work. Back in the day Back in the day, you had to be an engineer to operate sophisticated technical software. Today you can cut a movie on your iPhone. Not that you would want to, but the fact that the tools are there for the masses has created a baseline from a user perspective, on expectations as to what they want and expect from a product. Today, our media professionals need to work with software tools to tell their story. A UX (user experience)-centric approach in software design focuses on abstracting the complexity to surface and empower creatives. User Experience is at the center of a successful product and a primary axis to our commitment to user/market-driven approach to producing value for our client community. This need for transformation in how software vendors interact with an organization, and users, means putting transformative approaches and processes to dynamically engage with the user community much earlier in the product development stage, from ideation to release, and onwards. Your accelerator to market success The value in implementing a user-driven feedback loop model is a tenfold accelerator to market, with well-received releases that provide incremental value. Ideas are great, but unless tested against the intended audience, the product output generates frustration and dissatisfaction, further introducing new cycles of product iteration. Great designs can have a positive effect on the quality, accuracy, and user satisfaction/adoption of a product. This is what User Experience design practice enables. I want Ketchup, not a workout It is essential to differentiate UX (user experience) from UI (user interface), however. While UX focuses on "how to do something and how something should work" in the most intuitive, precise, and efficient way, UI focuses on the presentation layer and visual appeal of the product. A simple example: a button. UX design is focused on the position, discovery, feedback, and interaction with careful attention in taking into account both previous and following functions. Whereas UI design will focus on how to make the button visible, accounting for the shape, color, and typography to make the user want to press it. Courtesy of the author A great consumer-goods example that emphasizes this is ketchup bottles. When looking at the glass bottle, anyone can attest that it conveys elements of quality and aesthetics; however, the user experience is disappointing to everyone, including my grandmother, having users come up with workarounds for the poor usability. On the other hand, the plastic squeeze bottle, while looking cheap, is immediately intuitive in its use, and the fact that it stands on its cap, further adds a value of being ready to be dispensed by a simple squeeze. The wheel is not enough Credit: Nima Torabi The above example highlights the iteration of design of a user problem statement: "I want a mode of transportation that gets me from point A to point B safely, comfortably and expeditiously". While the top approach addressed the components of the product, each iteration was rendered useless on its own and not adopted (i.e., failed) as it didn't address the user's need. What is vital here are tangible, usable deliverables, or MVPs (Minimum Viable Product). “User experience encompasses all aspects of the end-user’s interaction with the company, its services, and its products.” Don Norman, Nielsen Norman Group (Credited with inventing the term UX) Back to the ketchup bottle, we can see that the first bottle was usable and formed the basis, by allowing feedback, which led to further iterations, each providing more intuitive designs. Note the middle image, where the bottle is now squeezable, would have never been initially designed without this user feedback. It’s all about the user User research is at the center of our approach at Dalet, both for outbound activities (on-site interviews, regular visits to see the product in use, etc.) and inbound (through conducting surveys, facilitating user community forums, etc.). This is the approach we took when we set out to re-design the user experience for our OoyalaMAM, the main user interface for the Ooyala Flex Media Platform: usability and speed were our top goals – but that’s a story for our next blog post. The recently refreshed OoyalaMAM user interface We want to enable our user community to converse and contribute while gaining knowledge and identifying trends that would need to be slated in the roadmap. As part of this user research, we are putting in place forums for the community to contribute, collaborate, and drive innovative ideas at the forefront of our practice. We'd love to have you aboard!
How leading media organizations grow with Dalet… A year in customer stories!
Everybody loves a good story, right? Well, it’s particularly true at Dalet. We love stories and we love storytellers. News, sports, TV shows, films, documentaries, corporate and educational content… Our mission is to enable the business of media and our mandate is to do it as effectively as possible, whatever the market or content type. Our team is passionate about media workflows, storytelling and, above all, seeing customers succeed and audiences delighted! So, what a better way to illustrate this than actually telling the stories of the work we do with our customers? Let me take you through some of our best 2019 customer stories and showcase world-class operations, amazing teams and unique content experiences. But more than that, let me tell you about these long-term, strategic partnerships and deep relationships built over time between the Dalet team and our clients’ teams… Breaking the news for today’s multiplatform audiences With changes in the media landscape accelerating, more than ever, news organizations need to be agile enough to meet evolving expectations. But what news organizations really need to focus on, is the dramatic shift in audience behavior and the fierce competition for screen time. They need the agility to experiment with different platforms, formats and tones of voice in order to reach fickle young audiences. Here are examples of Dalet customers breaking new grounds. SBS, Australia Building a cross-platform, multi-cultural media operation with Dalet With significant shifts in audience expectations for more content on more platforms, SBS took the strategic decision to revamp its underlying media management and distribution architecture with Dalet. Faced with a range of legacy products no longer able to cope with increasing demands for multi-platform and multi-lingual content production and distribution, SBS centralized all its media operations under a single, open and collaborative platform: Dalet Galaxy. &lt;iframe width="100%" height="415" src="https://www.youtube.com/embed/zzuKhEzoT-I" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen&gt;&lt;/iframe&gt; NextRadioTV, France Driving Multi-Platform Expansion for Leading Media Brands with Dalet Owned by multinational telecoms and mass media company Altice Group, NextRadioTV is one of the largest media properties in Europe with 14 TV and two radio channels, including BFMTV, reaching more than 10 million viewers each day. A Dalet customer since 2005, NextRadioTV powers its content production, playout and multi-platform distribution workflows with Dalet Galaxy for all of their leading TV, radio and digital channel brands. NextRadioTV also leveraged its Dalet Galaxy platform to launch the newest regional channel, BFMLyon. &lt;iframe width="100%" height="415" src="https://www.youtube.com/embed/F_PXyJtOchs" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen&gt;&lt;/iframe&gt; “More than 1,000 journalists and editors are able to work with the Dalet Galaxy system. They work collaboratively and share their content across all NextRadioTV brands. This gives us tremendous flexibility with regards to feeding channels and distribution outlets, including our new BFM Lyon channel.” Antoine Robelin, Broadcast CTO, NextRadioTV Mediaset, Italy How Mediaset Uses Dalet for News and Info-tainment. A story about growth and efficiency! Mediaset is Italy's largest commercial broadcaster. Back in 2010, they embarked on a radical business transformation with Dalet to produce more content, faster, to more devices with a future-proofed and scalable agile system in response to new business opportunities. Connecting teams, breaking production silos and creating a centralized internal news agency with content customization at the heart, Mediaset fully leverages Dalet Galaxy. Providing sports fans unique content experiences Sports have always been a ‘now’ focused-type of entertainment and the digital era has brought in a whole new world when it comes to fan engagement. Providing a unique media experience and deepening fan engagement before, during and after the games is the number one goal for teams, leagues and federations. MLSE, Canada Expanding the Fan Experience in Arena and Around the World with Dalet A world-class sports and entertainment organization, MLSE is the owner of iconic teams including the Toronto Maple Leafs (NHL), Toronto Raptors (NBA), and Toronto FC (MLS). MLSE relies on Dalet Galaxy to centralize, manage, produce and deliver all of its content, providing a unique media experience and deepening fan engagement before, during and after games. &lt;iframe width="100%" height="415" src="https://www.youtube.com/embed/rl9yRhM0Jm8" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen&gt;&lt;/iframe&gt; “Dalet allows us to focus on telling the timely stories that matter to fans right now - whether it’s creating snackable content from interviews, a look into the lives of players, or deconstructing a spectacular play moments after it happens. It also gives us the ability to reuse that content for a related story in the future; connecting the history of the organization to that ‘now’ moment, which deepens the passion our fans have for their favorite team.” Shannon Hosford, Chief Marketing Officer at MLSE Building agile content supply chains and augmenting workflows Translations.com, USA Translations.com introduces Media.Next A Dalet “Business Innovation” Award winner in 2019, Translations.com, the technology division of TransPerfect, leverages fully the Dalet Galaxy five Media Asset Management (MAM) and Workflow Orchestration platform. Building on the principle of open production and component-based workflows, the new platform, dubbed “Media.Next,” prepares for the industry-wide explosion of media translation and localization needs. “The Dalet Galaxy five platform played a key role in the successful launch of our Media.Next solution. The demand for localization of video content is growing rapidly, and we’re confident that our partnership with Dalet will help us scale up to meet demand.” Phil Shawe, President and CEO at TransPerfect 2019 was quite a ride! We hope these customer stories have given you a great deal of inspiration and ambitious ideas for 2020 and beyond. And, who knows, perhaps next year it will be your turn to be featured in the Dalet blog… Bring on 2020! Want to learn more and meet these organizations? Join us at a Dalet Pulse event near you!
Dalet Inks Deal to Build World's Most Advanced Multi-platform Newsroom with Leading North American Broadcaster
Dalet, a leading provider of solutions and services for broadcasters and content professionals, has signed a landmark deal with a prominent North American broadcaster to build its next-generation, borderless multi-platform newsroom on Dalet Galaxy five. The broadcaster’s expansive operation is a 24-hour all-encompassing news service that includes four distinct traditional and digital news entities dedicated to delivering breaking news to more than 90 million homes. The digital transformation will leverage advanced Cloud and AI technologies and move all production and distribution operations to the cohesive Dalet Galaxy five platform, a unified Media Asset Management (MAM), Workflow Orchestration and Editorial environment. Frederic Roux, vice president of sales, Americas, Dalet, comments on the multi-workflow advantages Dalet Galaxy five offers: “This particular news network is on air 24/7 and what they must deliver is far more diverse than straightforward news shows. They need to produce studio news programs and documentary-style shows, which are much closer to long-form programming workflows and often feature multi-camera productions. In addition, a new kind of storytelling is required when producing for OTT and digital, which adds complexity to the production chain.” Roux continues, “Dalet Galaxy five is able to facilitate standard news, long-form programming and digital workflows simultaneously. The transition to the platform brings immense efficiency to the operation with limitless options to implement future workflows and iterate quickly with new, digital-first initiatives. The consolidation of systems required to drive these disparate workflows will also help optimize the total cost of ownership for the broadcaster. In this era of fast-changing news consumption behavior, our customers need an agile platform that can adapt quickly to their new business reality. This agility is inherent to the Dalet Galaxy five hybrid architecture.” Based on a modern, video over IP infrastructure that uses the SMPTE 2110 standard, Dalet Galaxy five platform leverages the elasticity of the Cloud and offers federated production capabilities enabling the news network to effectively scale remote bureaus, field resources, and workflows at will. Cognitive services integrated with Dalet Galaxy five will accelerate the metadata enrichment of content archives making news assets easier to discover and readily available for creating deeper news stories across all platforms. Thanks to the hybrid architecture leveraging AWS, Dalet Galaxy five will provide native disaster recovery capability by offloading on-premise capacity to the Cloud when needed and processing scalability. “Today’s audiences crave more detailed news information on the viewing platform of their choice, especially for major sporting and political events,” adds Roux. “Broadcasters need a solution that enables them to deliver that deeper coverage whenever and wherever these events take place and create a content journey that engages audiences across all platforms. Dalet Galaxy five industry-leading remote access and editing provides a seamless news gathering and reporting experience enabling journalists to prepare robust multimedia stories whether they are in the newsroom or in the field on assignment.” Dalet Galaxy five will underpin the entire multi-platform production and delivery workflow, integrating key broadcast systems and propelling game-changing field and bureau workflows with a significantly improved remote editing user experience. Dalet Galaxy five’s orchestration capabilities will facilitate metadata-driven operations that automate complex media processes, distribute tasks and streamline workflows, simplifying the technical hurdles of media handling while simultaneously providing staff greater control over assets and monitoring capacities. For more information on Dalet Galaxy five and Dalet solutions, please visit www.dalet.com. About Dalet Digital Media Systems Dalet solutions and services enable media organisations to create, manage and distribute content faster and more efficiently, fully maximising the value of assets. Based on an agile foundation, Dalet offers rich collaborative tools empowering end-to-end workflows for news, sports, program preparation, post-production, archives and enterprise content management, radio, education, governments and institutions. Dalet platforms are scalable and modular. They offer targeted applications with key capabilities to address critical functions of small to large media operations - such as planning, workflow orchestration, ingest, cataloguing, editing, chat &amp; notifications, transcoding, play out automation, multi-platform distribution and analytics. In July 2019, Dalet announced the acquisition of the Ooyala Flex Media Platform business. An acceleration of the company’s mission, the move brings tremendous value to existing Dalet and Ooyala customers, opening vast opportunities for OTT &amp; digital distribution. Dalet solutions and services are used around the world at hundreds of content producers and distributors, including public broadcasters (BBC, CBC, France TV, RAI, TV2 Denmark, RFI, Russia Today, RT Malaysia, SBS Australia, VOA), commercial networks and operators (Canal+, FOX, MBC Dubai, Mediacorp, Fox Sports Australia, Turner Asia, Mediaset, Orange, Charter Spectrum, Warner Bros, Sirius XM Radio), sporting organisations (National Rugby League, FIVB, Bundesliga) and government organisations (UK Parliament, NATO, United Nations, Veterans Affairs, NASA). Dalet is traded on the NYSE-EURONEXT stock exchange (Eurolist C): ISIN: FR0011026749, Bloomberg DLT:FP, Reuters: DALE.PA. Dalet® is a registered trademark of Dalet Digital Media Systems. All other products and trademarks mentioned herein belong to their respective owners.